Known for his acclaimed thriller, ‘The Clan,’ Argentina’s Pablo Trapero is venturing into fresh yet familiar territory. He takes the reins for the maiden time for an English-language film ‘& Sons’. This latest venture is an interpretation of David Gilbert’s novel of the same name and marks its worldwide premiere at TIFF on September 7th. The plot revolves around universally recognized author A.N. Dyer, whose life whirls into chaos following the death of a dear friend.
Furthermore, Dyer, left ruminating about his own mortality, calls forth his disconnected sons for a much-needed reunion. However, upon their arrival, he confides something so absurd it’s hard to digest. The film’s character ensemble boasts prominent actors. Among them are Bill Nighy of ‘Love, Actually’ fame portraying Dyer and Imelda Staunton from ‘Downton Abbey’ as his ex-spouse.
Additional notable characters include Dominic West from ‘The Crown’ in a crucial supporting role. The cast is further enriched by Anna Geislerová known for her role in ‘Anthropoid’ alongside George Mackay (‘1917’) and Johnny Flynn (‘One Life) portraying the older, detached sons. Noah Jupe, known from ‘A Quiet Place,’ appears as the youngest son, Andy.
‘& Sons’ marks Trapero’s initial foray into English-language cinema. It also constitutes the first instance of his collaboration with such a sizable contingent of BAFTA-recognized actors, including Oscar nominees such as Nighy and Staunton. However, the grandeur isn’t confined to the performing side of the team.
Behind the lens, an equally award-laden crew lends their expertise. The movie enjoys a soundtrack composed by Cristobal Tapia de Veer, whose work on ‘The White Lotus’ has been acknowledged with an Emmy. Highly decorated casting expert Nina Gold is responsible for assembling this commendable cast.
Trapero’s intriguing narrative sensibilities are evident as he explores poignant themes about familial bonds and the connections we make with those in our lives- be it relatives, friends, or colleagues. The dynamics that provide us with a sense of belonging or, conversely, isolation, is at the heart of his storytelling.
With respect to setting, the Argentinian director opts for a variation from the original. While Gilbert’s novel places the plot amidst New York’s bustle, Trapero transposes the narrative to the UK. The locale, a somewhat ambiguous home in an unidentified backdrop, contributes an air of mystery.
With the shift in scenery, one might catch glimpses of recognizable locations — Oxford, perhaps, or sections of London. Yet, the crux of the tale unfurls within an uncertain expanse. It’s an indistinct house in an indistinct city or, more aptly, a tranquil, isolated spot, akin to the countryside.
Trapero notes a palpable atmosphere of reverence and mutual respect during production. The sequences filmed were unique, and each new line delivered invoked a newfound realization of its significance. Despite everyone being seasoned professionals, there was a collective eagerness to continue exploring and experimenting with their craft.
The ambience on the set was infused with passion, triggering an incredible feeling of being surrounded by like-minded, committed professionals. The drive to probe deeper into their roles and the story was a shared sentiment that pervaded throughout, making for a remarkable collective experience.
The film ‘& Sons’ is a product of multiple production collaborations. Infinity Hill takes the production helm, hand in hand with Toronto-based Elevation Pictures, and Maven Screen Media’s Trudie Styler, Celine Rattray, and Jackie Donohoe are among the key contributors.
Adding to this, Trapero’s own production house, Matanza Cine, has also played a pivotal role in bringing this film to fruition. This complex tapestry of production cogs mirrors the intricate narrative contained within ‘& Sons,’ showcasing a story both deeply personal, yet universally relatable.
The post Pablo Trapero Ushers into English Cinema with ‘& Sons’ appeared first on Real News Now.
About Author
